CRACKING REVIEW OF THE MANCHESTER GIG!!!
Thanks to Carolyn Davis at Quenched Music for the kind words…though now we have to write songs called Ease The Pain and Alabama Hotpot!!!
Initially feeling slightly out of my element here, I warmed up pretty quickly and even had a little mosh in the end. I stayed clear of the pit action though, something tells me it’s not advisable to join in with a pen in your hand.
We arrived just in time to join Jucifer on the third gig on their UK tour; melding doom metal and hardcore punk with a hint of southern rock from their early Georgia days to create their distinctive sludge sound.
I’m not sure sound control could have withstood the usual 60 amp set up that Gazelle Amber Valentine’s (great name, it has to be written in full) guitar usually runs through, but for only two people Jucifer managed to reach earth shattering levels.
There’s no interlude between songs, preferring to have Edgar Livengood’s rock-ride cymbals take us straight into the next track and relying on theatrics rather than banter to win the crowd over, with dramatic back-bends and hair flicks leading to the horned salute (which warmed my nostalgic heart) this was definitely the right crowd for that; even I joined in with a couple of appreciative head nods.
Grifter followed, a bit more my glass of ale, Ollie Stygall has the right amount of reverb working for him, a growl somewhere between AC/DC and Black Sabbath.
Ease my Pain compels the mosh pit to get a bit rowdy, while Alabama Hotpot is down and dirty filth (pun intended).
The tempo changes are subtle enough so as not to jar, but build you to the perfect climax.
The banter is a welcomed relief from the dramatic tension of Jucifer, ‘don’t be afraid to dance and if you’re female don’t be afraid to dance in front’, fat chance of anyone prying the hardened fans from the barricade at the front though. The place is filling up fast and I’m not surprised.
Quiet simply Grifter are good old fashioned Rock, meaning; great musicians coming together with a mutual love of all that is good and unholy.
As Orange Goblin takes the stage, we have lift-off. I’ve taken cover from the pit (which has gone into mosh overdrive) back firmly to the wall – this crowd mean business.
It’s reassuring to have Ben Ward commanding the crowd with his giant-like awesome presence, he could stage dive without having to leave the stage (I’m not really sure that makes a whole lot of sense, but I stand by it).
With the help of a few strategically placed red lights, there’s a blood bath on stage for the tribute to John Carpenter ‘The Fog’ from their 17th studio album A Eulogy for the Dammed.
But creative lighting aside, there’s no frills and no pretence to Orange Goblin just the mammoth riffs from Joe Hoare, the driving force of Chris Turner on drums and Martyn Millard on bass; who can flip the pace with a bang of the head, add that to the feral roar from Ben Ward, make this one of the best metal bands I have seen in a long time.
We may have waited 5 years for this new material, but it was certainly worth it.
Following the gig I left and sat in a quiet room, until the tinnitus subsided.
Words by Carolyn Davis”